I was casually watching Grey’s Anatomy when my girlfriend casually detonated my brain: Nick Torres from NCIS is the same actor who played Fez on That ’70s Show. I have not emotionally recovered. This is a story about pop-culture betrayal, delayed realizations, and why some facts should come with a warning label.
This week’s episode of Rolling with Scissors is dedicated to Perry Bamonte, whose passing at age 65 was reported on December 26. From his early days working behind the scenes to his fifteen-year run as a core member of The Cure, Bamonte helped shape some of the band’s most expansive and emotionally complex music. Episode 1330 traces his contributions through Wish, Wild Mood Swings, and Bloodflowers, honoring a musician whose work often lived in the spaces between the spotlight and the song.
Christmas in Eau Claire has finally started to feel normal again—right as winter reminded me how brutal it can be. Between snow that turns the city into planet Hoth, driving my wheelchair in traffic to avoid ice, a faceplant off a curb while carrying beer, and watching the news roll out battleships, ballrooms, and vanity projects, this feels like the perfect end-of-year snapshot. Funny, frustrating, and just a little surreal.
I was going to do a Christmas show, but after digging through the library, I realized we’ve all heard enough of the same holiday songs by now. So instead of forcing three hours of carols, this episode takes a different route—diving deep into jazz that lives outside the usual names. Episode 1329 rides the jazz train with a focused exploration of guitarist Steve Khan, offering something richer, calmer, and far more rewarding for the season.
The federal government may finally move marijuana out of Schedule I, but calling that “legalization” is a stretch. After decades of hypocrisy, moral grandstanding, and selective outrage—especially when compared to alcohol and opioids—this latest move feels less like justice and more like the bare minimum. We’ve been “almost legal” before, and history suggests that’s exactly where they plan to keep it.
This week’s episode started with one plan and quickly turned into something else entirely. What began as an idea about early pop music evolved into a night of sharp comedy, smart songwriting, and progressive rock, moving from Flight of the Conchords into Flying Colors. Episode 1328 is about contrast, intention, and trusting where the music wants to go.
Tonight we dive into Get in the Van, Henry Rollins’ brutally honest account of life inside Black Flag—years of broken vans, hostile crowds, and raw, unforgettable punk history. We’ll also round out the show with Rollins’ spoken-word firepower, and yes, I know I didn’t talk during last week’s Zappa tribute. Letting Frank wish WORT a happy 50th felt right. Big changes are coming to Rolling with Scissors… but tonight, the van is already rolling.
A bed-to-chair transfer derailed by a sneeze-hurricane broke a reacher-claw cord. Tools arrived zip-tied together until my girlfriend snipped both ties like a precision ruler. Add disability to a device name and the price explodes. Laughing at yourself is mandatory hardware. This is the Gospel of the Gimp Stick.
This week on Rolling with Scissors, we celebrate 50 years of WORT by letting Frank Zappa off the leash for a full three hours. It’s been too long. We spotlight key corners of his studio and live output between 1969 and 1979, where jazz fusion brains melt purposefully into rock skeletons, satire lives next to razor-tight musicianship, and the guitar is both the punchline and the proof. Frank Zappa was a composer who happened to lead bands that could actually execute his blueprints, and a guitarist who never treated rock as a border or a limit. Tonight, we let the albums speak — loud, sequential, and gloriously incomplete. Each era chosen for impact. Each track allowed to sprawl. The final piece will be faded out, drifting into the classical block that follows. Happy birthday, WORT. Welcome back, Frank.